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Saturday, 19 May 2012
blackmonday

blackmonday

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As the year fast draws to a close, the architect of SinZine's Industrial Music Database pages picks what he believes to be the genre's 10 best offerings of the past 12 months.  Argue amongst yourselves over the selections, post your alternative choices in the comments section - and look out for a second feature from BlackMonday, listing the acts you should look out for in 2012.

 

What follows is an unofficial list of what a cracked individual deems to be the top 10 Industrial releases from 2011. Some may find this agreeable and a few may vent in rage at the sheer madness of some of the items in this list. In any case these are the sounds from the past 12 months that have proven themselves to full of that unexplainable magic that fill this mad man with energy and excitement!
It was a very exciting year full of surprises and many incredible releases. This list was both very easy and extremely difficult to put together - hate it or love it we start with the countdown with…

 

 

IMD!

10. Eisenfunk “Pentafunk”

Released: 12 August

Label: Danse Macabre Records

Eisenfunk reminds me of KMFDM. I can almost hear cries of, “You’re mad! They are nothing alike!” but I assure you they have at least one thing in common – they love the sound of their own name. Pick pretty much any song by either band and you will here them singing their name loudly and proudly… sometimes over and over and over and over and over and…. Eisenfunk are the evolution of techno (I can hear those cries again!). Listen carefully and you will hear the minimal, layered, pulsating rhythms; strip out the vocals and you get that maddening beat that has only one purpose – dance, dance, DANCE!!!!

 

 

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9. Grausame Töchter “Mein Eigentliches Element”

Released: 1 April

Label: Scanner / Dark Dimensions

Girls, gasmask, latex, electro-beats – what’s not to like? Prior to “Mein Eigentliches Element” (My Original Element) I had never heard of Grausame Töchter but their curious mix of martial EBM and electro makes for a melodic creature I want to snuggle up with and stroke all night long (did I mention girls wearing gasmask?). At times the vocals are very much in-your-face and meld wonderfully with the militaristic, regimented sound that gets the timid dancing before they realize it!

 

 

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8. Chainreactor “Insomniac”

Released: 1 April

Label: Pro Noize

Gritty, punchy and intense are what Chainreactor’s second studio album is all about. If you like your industrial dark, fast and brutal you’re in luck with 12 highly energized, lyrically minimal, and sometime thought provoking tracks. These are followed by 4 bonus remix tracks by Incubite, [X]-Rx, Xotox and [Organic Cage] and they are all exciting and very pleasing. I don’t know about you but I love [X]-Rx and Chainreactor – mixing the two is an explosive orgasm at the end of an album that is as good as sex (yes, with a real living human being!)!

 

 

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7. Dance Or Die “Nostradamnation”

Released: 10 June

Label: Out Of Line

This is dark electro EBM from one of the pioneers of the darker recesses of Alternative music. Some would say Dance Or Die epitomizes the Gothic Industrial mash-up and I agree. One of my all time favourite songs is Psychoburbia from the 1992 album of the same name – here it makes a reprise on disc 2 (did I mention there is a bonus disc?) and as usual is a brilliant piece of aural ecstasy. However, it is the 15 new tracks that are the focus here and once again is a title track that takes centre-stage and will get both industrialists and goths shaking their arse on the dance floor.

 

 

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6. Revolting Cocks “Got Mixxx?”

Released: 11 February

Label: 13th Planet

RevCo continue to create some of the most gritty and filthy music with a finger lickin’ groove with their 10th studio album. Sure, this is a raunchy remix of their 2010 album “Got Mixxx?” but it packs 11 of the best trashy and super groovy songs you will have heard since… well, since 2010! Crass, politically dangerous, and most importantly hysterical this is another masterpiece by Al Jourgensen and cohorts that is sure to please even the most discerning deviant.

 

 

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5. KMFDM “WTF?!”

Released: 26 April

Label: Metropolis Records

There are echoes of classic KMFDM, a dash of MDFMK, and a whole lot of new fun to be heard throughout “WTF?!”. If industrial rockin’ beats are what you like you will not be disappointed as there is more than enough ultra-heavy pumping grooves to make your ears very happy indeed. The familiar hi-octane beat will be familiar to anyone who has ventured into the aural landscape of Sascha "Kapt'n K" Konietzko, but fear not as there is plenty of new ground covered for both new and old.

 

 

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4. Santa Hates You “Jolly Roger”

Released: 8 December

Label: Trisol / COP International

Dirty themed industrial beats with a clean synth-y sound from one of the co-founders of Project Pitchfork - are you ready to set to sail with the crew of “Jolly Roger”? Be warned - this has more in common with pirates than Santa and elves. Beautiful, cruel and superior as the sea, malignant, perfidious and sombre as the thrashing tentacles of a giant squid… “Jolly Roger” makes all the other Electro projects look like bloody amateur pirates. Hoist the colours!

 

 

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3. Armageddon Dildos “Untergrund”

Released: 18 February

Label: Alfa Matrix

The Armageddon Dildos are back and have evolved their sound whilst still maintaining a unique flavor of intonation. This two-disc set comes with nearly 2 hours of brilliant electro-industrial mayhem. It’s almost hard to believe this German due formed in 1988 - not many industrial acts have survived intact for as many years and of these that have even fewer have continued to grow their sound whilst being one of the forces that shapes the music we love.

 

 

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2. Ben Arp “2010 In 3 Parts”

Released: 4 January

Label: Ben Arp/Band Camp

This was the first music I bought in 2011 and despite the title it is from early January 2011. These are some of the most powerful tunes that border on timeless (as much as industrial can be with it’s heavy reliance on technology and trends). Pulsing, minimalistic, curious, haunting and addictive these are three tracks that will be in my permanent rotation; they even sit along side the likes of Combichrist on my gym track list. As a matter of fact I’ve been listening to it whilst writing this and I think you should give it a listen too!

 

 

 

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1. VNV Nation “Automatic”

Released: 16 September

Label: Out Of Line

Ronan Harris (electronics, lyrics, vocals) and Mark Jackson (drums) return VNV Nation to classic form with uplifting, almost cheerful, anthemic qualities. I knew from the intro track that this was going to be something special and it is. Sure, there are flaws with this but you soon forget these as you find yourself listening for the 100th time without realizing what’s just happened.

 

 

 

 

Wednesday, 13 July 2011 19:09

Rammstein!

black monday archive
Archive Contents
A note from the editor
18.06.2011 by black monday
 

More curious and enlightening items from the dark recesses of Black Monday Magazine are coming...

What's that I hear you thinking? What's Black Monday Magazine? Black Monday Magazine was born in the cold early days of 1996 as an outlet for my burning creativity and love of some very non-standard music. The archive will reveal digital versions of the editorial that appeared in the books that were originally printed onto A4 French Paper stock then folded and bound into A5 booklets. With issue eight the circulation was worldwide with 500 subscribers (the magazine was free as it was a labor of love, not profit).

There is a rich history to the culture we live and breath and this archive is a tiny look back at the vast past. So sit back, get comfortable and most importantly - enjoy!

Rammstein Links
Ramstein photo collage
As seen through the eyes of a avid fan...
03.06.2011 by Steel Mistress
 

Rammstein is a 6-piece band that boasts an original line-up since 1994. All of the members originally came from other bands, which didn't quite have the sound they as individuals wanted, however, they soon found that together they did. It improves with age too! From the incredible Herzeleid (1995) escalating from strength to strength to Liebe ist fur alle da (2007) - with lots more to come.

They played Wembley arena and Sonisphere in 2010, and hit the Americas this year after a 10 year 'break' from performing there. The tour sold out in 15 minutes, proving a massive following from Canada down to Mexico. Fans all over the world though are equally as eager to snap up tickets as soon as they become available.

Rammstein produce an awesome gig, not just a band playing songs, but performing a visually spectacular, all in show. Pyros are a main event, showering fireballs throughout, others include 'adult toys' being ridden, shooting liquids over the audience - all great fun!

They also love controversy - from lyrics to videos, live shows to media. All have their own stories to be told. I personally don't want to risk a copyright problem, so if you wanna see the items, look'em up!

The band has a serious side too with compassion for the 'named disaster' and political views creeping in the lyrics. Till Linderman. the bands front man, is responsible enough to be a trained and qualified pyro-designer despite several burns to various parts of his anatomy.

They are a band to be reckoned with, and played to the death and then more. I for one have 'soiled' my kids (and friends) ears as they sing along now!

So, long live Rammstein, and may all ears who listen to them, sail on. xx

The following originally appeared in Black Monday Magazine v2.1. ©1998 Reprinted in Sin Zine by permission.

Cristoph Schneider (drummer) interview conducted 5th March 1998, via phone from Hamburg, Germany, through an interpreter by Jill Grant

 

(Jill Grant) Could you tell us what kind of a musical background everyone comes from?
(Christoph) All six of the band members played in other bands before Rammstein and with different music styles. For about ten years, we've done music.

(J) And how do you all know each other?
(C) We've known each other since the early days. We're early twins, if you want to say so. We all played in different bands and some members also played in bands together, but not in the constellations we're playing now with Rammstein. And we were all happy playing, but we were not really satisfied with the style so we came together and wanted to invent a new style.

(J) How would you say your music stands out from other bands?
(C) It's the combination of the music, but not only that, it's also the lyrics - which we sing in German and the live show, which is outstanding.

(J) Why did you sign with Slash Records?
(C) We were in discussion with different labels and Slash seemed to be the suitable label for Rammstein.

(J) Is international success something that has always been a goal or is it just incidental?
(C) Since we formed, it has always been a goal for us to not only be successful in the German speaking territories, but also in the others.

(J) It seems that the reason for a lot of bands' success is more by creating hype than their talent. Which do you think is responsible in this case and how do you feel about that?
(C) Rammstein is an absolute live band so you have to see us live which then goes along that the people have the interest in Rammstein, but the media were not really interested when we started. We're a live band and that's how we got our fan-base all over the world.

(J) How did the tour in the US go?
(C) We didn't really have expectations about the outcome. We toured with KMFDM, who supported us too, even though we sang in German, the interest from the people and the success we had on that tour was surprising.

(J) Is it true that you sang some songs in English?
(C) We sang one verse in English as a promotional tool and for fun.

(J) Has anyone ever gotten hurt from the antics on stage?
(C) Quite a while ago at a concert in Germany, there were three people injured slightly and of course we took action against that and have been more secure since. We've toured tons of times, but nothing major ever happened again. Only slight injuries and burns because we do the pyrotechnics sometimes ourselves. We handle it and then of course if you play with fire you get burned, but only slight injuries. We're pros in that.

(J) Why are there different versions of the cover for your newest album?
(C) The reason is there are six band members and all have the same impact in the band. A very famous European artist did the cover. Those are some reasons why they put six different covers on the Sehnsucht album. If you open the cover of the original German version, you have all the six heads together like a poster. In Europe, they changed the cover because it's folded differently, so each time you see one in the shops, it might be with a different band member's head. We look a lot alike so if you see them from a distance, they look the same. But if you come closer, then you have six different versions of the cover with six different faces. The album title is not printed on the cover in Europe, but it is on the jewel box. So, if you buy the album and you're a fan of one of the band members, you can fold it as you like. In the US, they went with just one head as the cover, so that's different.

(J) What's the Rammstein computer game on the CD single for your cover of "The Model"?
(C) The idea was a combination of both the management and the record company because they wanted to give the fans another special something. You have to shoot down little men with flames. It's very simple, like the other computer games where you have to shoot down different targets, but here it is with fire.

(J) Of course!
(C) With flames, you know, fire flames!

(J) Please tell me the story of how you came to be on the Lost Highway soundtrack.
(C) The wish of Rammstein was that David Lynch would produce a video of us. That was the main idea when we approached him with our debut album in Germany and Europe, Herzeleid. We sent it to him and he came back and said, "Well, listen guys, I'm really sorry because I don't have time. I'm in the middle of doing a movie here," but he liked Herzeleid so much that he wanted to use different tracks. He also made the whole crew on the set listen to Herzeleid in between the scenes!

(J) What does Rammstein mean?
(C) It's a word game because it has different meanings. First of all we were searching for a name, which sounded cool in German, and Ramstein sounded like what we were looking for. Then you can take it as it stands. On the sidewalk in Germany you have stones there so cars can't get through, which are rammstein. And then a tragedy happening in a village called Ramstein, with only one "m." A lot of people got burned there. It was an annual air show at a US military air base with jet fighters doing nice curves up in the sky and two bumped into each other and fell into the people. Quite a few people got burned and died. So it has three meanings actually.

(J) Why is it significant for you to have the crash as a part of the meaning of your name?
(C) When this accident happened, there was still West Germany and East Germany, although we didn't hear about the crash when we formed Rammstein. We were more interested in the sound of the name and of the meaning of this sidewalk stone. That's why we write our name with two "m's" and then out of a coincidence, we heard about this tragedy happening at the village Ramstein. We thought, "It's interesting that there was an accident with fire."

(J) I've read Rammstein described as sexual torture fanatics. How do you react to that?
(C) Well, if we're on stage, we kind of jump into that role, but off stage, we are just like you. Our show is really a show so we all kind of jump into the role on stage.

(J) How did the fall of the Berlin Wall change your lives?
(C) Before the fall, we had many restrictions in East Germany and including getting music. Nowadays, we are able to listen to all the music we want and are able to work in this business – to get a deal with a major company and stuff – so that's the freedom which we gained musical-wise.

(J) I've read that you actually don't like Germany very much. Is that true?
(C) That's not the case at all. The German media didn't really react nicely to us at the beginning, however we're very interested in getting to know other countries and the people who live there as well.

Fin

Grab a PDF here of the original interview as printed in Black Monday Magazine.

Sunday, 01 May 2011 15:46

Industrial Music Database

Industrial Music Database (IMD)
What's this all about?

Last update 30.04.2011 by Black Monday

Ask ten people what Industrial music is and you will most likely get more than 10 answers. This is where the Industrial Music Directory (IMD) comes to the rescue! The core purpose of the IMD is to define this genre of music and culture, and, over time, offer further insight into this ever-evolving realm. Sometimes there will be surprises and cold hard facts, and sometimes... maybe even a revelation or two!

I don't profess to be an expert but I have lived and breathed Industrial for a very long time. In the late 1990's I designed, wrote and published Black Monday Magazine. And before that I was dabbling in composing and working with bands and club in Chicago and Detroit. Some of my earliest memories are the discovery of Blackhouse, Throbbing Gristle and Einstürzende Neubauten; but Industrial and the ideology that forms it's foundation spans more than a specific style of music and sound. Innovators and visionaries such as John Cage, Terry Riley, William S. Burroughs along with more recently master such as Bruce Bethke, Bill Leeb, Rhys Fulber, Al Jourgensen and countless others have informed and had a vital role in the continual evolution of this amazing genre both musically and otherwise.

Personally, I have an abundance of knowledge, experience, facts, opinions, and much more to share; but more importantly Sin Zine and I would like to encourage everyone reading this to get involved - tell us your stories, past and present; are there bands, sub-genres, performances that you feel should be included in the IMD? Are there any magazines, websites, shops books, film, etc. that have strong links? Let us know!

One area where Sin Zine can use your help is with the related and sub-genres - you're input can have a real impact on the growth of the IMD! What genres/bands/artist do you think should be listed? Do you have any information for the genres listed? This is your chance to get involved!

To get things started I've put together a short list of related and sub-genres and artist. Expect this to expand in breadth and depth.

The IMD won't repeat (much) of what is already out there but we will strive to be THE resource portal for all thing Industrial pointing you to additional resources whilst providing new, fresh editorial and commentary.

The IMD will be a living, growing part of Sin Zine and together we can create a great resource and point of call for all things Industrial created by the people, for the people.

Enjoy the ride and get involved - I know, it's been repeated over and over but this is YOUR community and YOUR IMD!

 
 
 
 
 
 
 
 
 
 
 
What is Industrial?

Last update 30.04.2011 by Black Monday

This is the title that reigns supreme and encompasses and ever increases family of sub-genres . Today it not only sits side-by-side with other top-level genres including Gothic, Metal, Rock, Classical, Rave and Jazz but also has direct and indirect links to these and all their sub-genres. What at first seems to be an easily definable genre quickly becomes much more complex and interesting. There was even a time when the term "Industrial music" didn't exist but that is a story for another time along with many others.

Below is the beginings of a comprehensive depository of genres and artist with much more to come...

Further information:
Wikipedia
Brian Guguid editorial
Ryan Speck editorial

 
Acid House

Last update 30.04.2011 by Black Monday

  • Armondo
  • 808 State
  • A Guy Called Gerald
  • The Shamen
  • Psychic TV

Further information:
Wikipedia

Agrotech

Last update 30.04.2011 by Black Monday

  • Hocico
  • Alien Vampires
  • Psychlone Nine
  • Unter Null
  • Polluted Axis

Further information:
Wikipedia

Ambient

Last update 30.04.2011 by Black Monday

  • Brian Eno
  • The Orb
  • Aphex Twin
  • Boards of Canada
  • Christian Fennesz

Further information:
Wikipedia

Darkwave

Last update 30.04.2011 by Black Monday

  • The Cruxshadows
  • Project Pitchfork
  • Wolfsheim
  • Clan of Xymox
  • Lycia

Further information:
Wikipedia

 
Digital Hardcore

Last update 30.04.2011 by Black Monday

  • Atari Teenage Riot
  • EC8OR
  • Rabbit Junk
  • Left Spine Down

Further information:
Wikipedia

Electronic Body Music (EBM)

Last update 30.04.2011 by Black Monday

  • Front Line Assembly
  • Front 242
  • Armageddon Dildos
  • Bigod 20
  • Spetznaz

Further information:
Wikipedia

Future Pop

Last update 30.04.2011 by Black Monday

  • VNV Nation
  • Seabound
  • Apoptygma Berzerk
  • Infected Mushroom
  • Covenant
Gabber

Last update 30.04.2011 by Black Monday

  • Delta 9
  • Rotterdam Termination Source
  • Technohead
  • The Horrorist
  • Ruffneck

Further information:
Wikipedia

 
Industrial Metal

Last update 30.04.2011 by Black Monday

  • Ministry
  • Godflesh
  • Circle of Dust
  • KMFDM
  • Nine Inch Nails

Further information:
Wikipedia

Industrial Rock

Last update 30.04.2011 by Black Monday

  • Acumen Nation
  • Iron Lung Corporation
  • Big Black
  • Society Burning
  • The Revolting Cocks

Further information:
Wikipedia

Martial Industrial

Last update 30.04.2011 by Black Monday

  • In The Nursery
  • Death In June
  • Laibach
  • Test Dept.

Further information:
Wikipedia

Nintendocore

Last update 30.04.2011 by Black Monday

  • Horse the Ban
  • Bondage Faries
  • The Advantage
  • NESkimos
  • Minibosses

Further information:
Wikipedia

 
Noise

Last update 30.04.2011 by Black Monday

  • John Cage
  • Karlheinz Stockhausen
  • Throbbing Gristle
  • Blackhouse
  • Nurse With Wound

Further information:
Wikipedia

Power Noise

Last update 30.04.2011 by Black Monday

  • Iszoloscope
  • Black Lung
  • Noisex
  • P.A.L.
  • Merzbow

Further information:
Wikipedia

Synthpunk

Last update 30.04.2011 by Black Monday

  • Babyland
  • The Units
  • Tone Set
  • Devo
  • Suicide

Further information:
Wikipedia

Techno

Last update 30.04.2011 by Black Monday

  • Messiah
  • Phenomania
  • Praga Khan
  • Lords of Acid
  • Derrick May

Further information:
Wikipedia

 
 
 
 
 
 
 

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